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"It's
Little Richard's fault, all of it.
Little Richard is directly responsible for Motörhead.
I heard "Good Golly, Mrs. Molly" and that was the end of it... Motörhead
is Rock'n'Roll. I remember it before metal or punk.
I came up with Elvis and Little Richard the first time round."
So,
rock-music soon became the major obsession - but besides taking up the
pieces himself, Lemmy also became Jimi
Hendrix' roadie for a while - getting knee-deep into the drug-soaked
world of psychedelia...
Around '66 he joined - maybe according to his father's profession - a
band named The Rockin' Vicars - two other bands
followed: Sam Gopal and Opal
Butterfly
Around this time he got in
loose touch with the band that
Robert Calvert had joined forces with as well: Hawkwind.
Drummer of Opal Butterfly was Simon
King - soon to become drummer of Hawkwind and Lemmy's flatmate
was a certain Dik Mik - an old friend of Robert
Calvert from the Margate-days
and already a member of Hawkwind,
operating the audio generators.
Around late 1971 Hawkwind
was in desperate need of a bass-player and Dik-Mik
repeatedly recommended his friend Lemmy. The
band knew that Lemmy had a reputation of being a notorious 'speed-freak'
- but after finally doing an audition he got the job - and immediately
turned into one of the key-members of the band.
Though he didn't contribute
much to the songwriting, his powerful, energetic style - accompanied by
the equally forceful new HW-drummer Simon King
- gave the band much of the drive that should gain it its almost legendary
status in the years to come.
One of the first recordings
Lemmy did with Hawkwind
was the bands first (and only) hit-single Silver
Machine - composed by Robert Calvert
and Dave Brock. Though
Calvert was the original singer, it were Lemmy's vocals that appeared
on the final single-release - and it was also him who did the vocals in
the filmed version of it - in the band's first (and I believe only) Top
of the Pops appearance.
The first Lp featuring Lemmy was the 1972 release
Doremi
Fasol Latido - the album that for many Hawkwind fans marks the
beginning of the band's 'golden period' - and features Lemmy's delirious,
eerie acoustic contribution The
Watcher - describing a kind of desperate Orwell-ish surveillance
situation:
We
are looking in on you now
What do you think you can do now
You're so very small from way out here
The last thing you will feel is fear
I gave you the chance to do the right thing
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The
Watcher < >
lyrics by Lemmy Kilmister |
I
gave you the chance to do the bright thing
Now my sense is so disgusted
A world imprisoned screams with pain
There are no leaders you can blame
Human greed has destroyed your sphere
And there's no room for you out here
This is the end now.
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The
album was followed by extensive touring with the gigantic Space
Ritual set-up. From this tour the band compiled a double
live album by the same name that marked the bands biggest commercial
success and their first creative climax.
Lemmy's dynamic style can be heard on this album
at its best - in songs like the crushing Time we left
or the catchy Calvert co-composition Orgone
Accumulator.
The Space Ritual finally
secured the band's cult-status - that it still gains up to date.
Hawkwind's
rise to fame also presented them with even more kind attention from the
local police forces (mostly the drug-squad commission)...
>
LISTEN to
one of the episodes that the band - and Mr. Calvert
and Mr. Kilmister went through - as
told by Robert Calvert in a radio interview in 1982.... (real-audio
file)
1974 saw the release of Hawkwind's
new studio album Hall of the Mountain Grill.
In the meantime Calvert had left the band to
pursue his solo-projects
and new members had completed the line-up - pulling the band into a more
melodic - keyboards/synth based direction. This was probably already the
beginning of a certain departure of Lemmy from
the rest of the band in musical terms - though again he contributed one
song to the album: Lost Johnny - co-written
by Mick Farren, former member of The
Pink Fairies - it is a much heavier song than most of the others on
the album.
The band went through the
usual cycle of recording and touring and recording.... - and Lemmy
kept his cycles as well - that didn't always agree with the rest of the
band - his way of playing - being already very loud and aggressive brought
up more and more problems.
Dave
Brock on some scenes during Hawkwind gigs at the time:
"The other night
Simon King kept hitting Lemmy on the legs with his drumsticks because
Lemmy kept staggering into his cymbals.
I had a go at Lemmy the other because he just couldn't pull himself together,
and he threw his bass on the stage because the strings kept coming out
of the bridge.
At Hammersmith Lemmy's lead kept coming out of the amp, and he carried
on playing...
He's so deaf he didn't even realise. He plays so loud, man. That's what
annoys Simon House. Lemmy plays so loud he can't hear a thing we're playing.
And we were all shouting to Lemmy, you know, 'your fuckin' lead, man'
and he still didn't understand. Then somebody plugged in in and I told
him 'you cunt, if you do that again, I'll fuckin kill you.'
And sure enough he did it again.
We were all freaking out about that.
Lemmy's quite a good front man, though. He can put it about a bit. Likes
to pose a lot."
Well, it was surely MUCH more
than posing that Lemmy
still delievered...
...and he remained a member
of Hawkwind
for more than another year. In 1975 the band released Warrior
on the Edge of Time - which marked another step into a more symphonic
direction - dominated by the brilliant work on keyboards / mellotron and
violin by Simon
House - who could finally hear what the others were doing.
Warrior
was clearly another step into the opposite musical direction Lemmy
was heading for. Listening to the album these days, it seems hard to believe
that the Motörhead - mastermind was on
it. - And his basslines did sound less aggressive than on former albums...
The album didn't include a composition by Lemmy
the single outtake 'Kings of Speed' featured a Kilmister composition on
it's b-side, entitled MOTÖRHEAD.
In retrospect, this could
very well mark the beginning of the end (of this Hawkwind line-up) and
the beginning of the beginning of Motörhead.
Anyway, another tour had to go underway, before the final split of Lemmy
took place - not in a big row on stage - but under rather strange and
embarrassing circumstances. Attempting another of their almost traditionally
ill-fated US-tours, the band had to cross the Canadian border after a
gig in Toronto....but Lemmy didn't came through
the customs...
Lemmy:
"Well, it was a
bust, but not quite the way most people mean. Crossing the U.S.-Canadian
border, they found some amphetamine and thought it was cocaine. I spent
a night in one of their prisons. The band, somewhat hypocritically, I
think, fired me, and I went home to form a new group.
Best thing that happened to me, really."
The time was 1975, when Lemmy
- obviously pissed off by his fomer band members - returned to London
and decided to form his own band called Bastard.
However, his manager argued that a band by that name would never ever
set a foot into Top of the Pops, and Lemmy changed
the name to the title of the last song he wrote for Hawkwind: Motörhead
- the slang term for 'speed freak'.
It took Motörhead
around 3 years to really take off in commercial terms - and the rest is
more or less history. Since 1977 - when the band was still playing support
for Hawkwind on their
U.K. tour - Lemmy and his comrades in arms
and bullet-belts, are churning out records and touring continuously.
Their reputation increases year after year - and one will hardly find
a (heavier) rock-band that doesn't acknowledge Motörhead
as an important influence - or at least a band, that never lost its credibility
- after all those years.
In 1995, when Motörhead
saw the beginning of its 2nd decade - and Lemmy his 50th birthday, even
the boys of Metallica flew in to Los Angeles,
to dress up like Lemmy-clones and do a short tribute gig to him, calling
themselves THE LEMMY'S!
By now, Lemmy
and Motörhead have already gained the status
of a living legend - but fortunately, Lemmy keeps cool enough to deal
with this.
Just recently, when during an online Q & A game on the official Motörhead
site, one of his fans claimed "Lemmy,
you are god!",
his sobering reply was:
"I've
seen God on acid - he's taller."
So there.
But however sad and
unfortunate the circumstances of Lemmy's split from Hawkwind
were - Mr. Kilmister is not only known to be outspoken against the press,
politicians and all sorts of hypocrite's - he's also generous and forgiving...
Over the years he appeared from time to time at Hawkwind
gigs and also guested on the band's 1984 Ep Night
of the Hawks.
Calvert's and Lemmy's
friendship, however, remained untroubled throughout those years - and
Lemmy kept on collaborating with Calvert also on his solo-albums.
He played bass on Calvert's 1st solo album Captain
Lockheed and the Starfighters and also on the 1982 single release
Lord of the Hornets.
Calvert
has been very fond of Lemmy throughout his life and obviously also appreciated
his post-Hawkwind music. In an interview he even stated that he wished
the sound of his current band (his last one that was: The
Starfighters) to be something like a cross between Kraftwerk
and Motörhead
- however that may sound...
...alas, due to
the early death of Calvert, we will never know -
...but the thought alone is inspiring ~ amusing, isn't it...
LINKS
- More on Lemmy Kilmister / Motörhead:
- Read Lemmy's short obituary
on Calvert on The
World ON Calvert pages.
- The official web-trench
of Motörhead
THE site on the band. Here you'll find a wide range of infos on the
band: their history, discography, tour news, video-stuff and even the
section 'LEMMY SPEAKS' - Mr. K. was quite busy answering all sort of
questions - quite entertaining and funny...
- Lemmymania
- a new page (1/98) on Lemmy and Motörhead - contains rare photos,
lots of background infos on Lemmy's pre-Motörhead days - and promises
to serve you more soon. recommended.
- another comprehensive Motörhead
site, edited by Scott Andrews, containing various links to related pages.
- the
WILMA spotlight on Motörhead - an extensive interview with
Lemmy. Recommended.
- The
Motörhead Coffee-Break interview - for this you'll need the
Real Audio Player - and then you'll have Lemmy in O-tone!
Annexed to it you can have a look at one of Lemmy's
poems!
- Yet another Lemmy
interview on his former activities with Hawkwind, his current Motörhead
affairs etc. -
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